UFO UpDates
A mailing list for the study of UFO-related phenomena
'Its All Here In Black & White'
Location: UFOUpDatesList.Com > 1998 > Jun > Jun 15

C-E: The Wit and Wisdom of J. Bond Johnson

From: Francis Ridge <slk@EVANSVILLE.NET>
Date: Sun, 14 Jun 1998 21:33:17 -0500
Fwd Date: Mon, 15 Jun 1998 22:42:03 -0400
Subject: C-E: The Wit and Wisdom of J. Bond Johnson

The Wit and Wisdom of J. Bond Johnson
R. J. Durant

Ufologists tend to be deadly grim people, sour, dour, never
cracking a smile. At first blush that would seem odd, because
there is plenty of UFO-related humor out there. Much of it
appears in the newspaper accounts of sightings, where reporters
who can't find an outlet for their creativity in stories about
dog shows or zoning meetings can let loose a barrage of
witticisms about "the silly season." After a while it gets
boring if you happen to care about the topic, and of course as a
serious student of UFOs you are either directly or tangentially
the butt of the joke. So the ufologists don't grin.

One unfortunate result of this mind-set is that we fail to
identify the truly creative ufological jokester on the rare
occasions when he appears in our midst. This is the case with
the humorist J. Bond Johnson. Even his name is funny, the J.
standing for James. Remember 007?

He's pushing 80, and after a very full life, he finds himself
sitting around worrying that the world has forgotten him and all
his accomplishments. Senility is not the only deficit brought
about by age. One also loses the companions of yesteryear who
would listen to the stories, and laugh and laugh, sharing the
mirth. So J. Bond has done the natural thing, which is to seek
another audience for his exceptional wit.

In 1947 J. Bond was working at the Fort Worth, Texas
Star-Telegram as a photographer and reporter. One day he was
sent to the office of Brigadier General Roger Ramey to
photograph some material thought to be a "flying disk." A
previous press release from the Roswell Army Air Field had
proclaimed the capture of same, causing an uproar. Johnson
arrived, Speed Graphic in hand, took the photos and delivered
them to the newspaper. That was all he did, or at least that is
the sum and substance of what he told Kevin Randle during three
hours of taped telephone conversations 42 years after the event.

Along with a great mass of other photographic material, the
original Ramey office pictures were donated by the newspaper to
the University of Texas, which maintains a huge photo archive.
The University has supplied prints to anyone willing to pay the
nominal copying fee. In this way Roswell researchers and even
the U.S. Air Force, and through them the CIA, got these famous
shots, and were able to study them with care.

J. Bond's first foray into ufological leg-pulling came about
when he teamed up with another jokester, William Moore. That's
the fellow who stood up at a MUFON symposium and admitted -- or
claimed -- that for many years he had been cooperating with
government agencies to furnish them with UFO data and to help
spread disinformation. Moore has written much on Roswell, and in
a refreshingly open self- assessment of his book he said it is
"...a disgraceful hodgepodge of fact and fiction."

Moore and J. Bond teamed up, which is not surprising, given
their mutual merry- making interests and proclivities. For years
the two proclaimed that the Ramey office photos showed the
"real" debris, meaning the material found on the Foster ranch,
and described in detail by various awed witnesses.

The literal-minded ufologists did not get the hint, missed the
nudge and the wink. They studied and studied those photos. So
did the Air Force, when it undertook to review the Roswell
matter, even enlisting the photographic analysis facilities of
the CIA for the purpose. But the photos show only a battered
radar reflector. Always have, and always will, because that --
and that alone -- is what was on Ramey's floor. Even J. Bond
eventually conceded, but only after much smoke had been blown in
many eyes. (Moore has long since dropped from sight.)

Now suddenly, after a long absence from the scene, J. Bond has
returned to pull more legs, yank more chains. This time he has
no partner, just the Internet. He composed a "press release,"
written as if it issued from some neutral reporter, and in this
way sprung his latest joke. The major claim is the old one,
slightly amended: the photos are of a radar reflector, but in
the foreground, thus unnoticed by myriad observers, is some of
the "real" debris.

J. Bond's "press release" begins this way: "It has been
announced by the University of Texas at Arlington that on June
1, 1998, a special exhibit will open in the Special Collections
Section of the Main Library featuring super-enlargements of the
more than half-century old famous Roswell UFO crash photographs.
In making the announcement, Dr. Gerald D. Saxon, Associate
Director for Special Collections, Branch Libraries and Programs,
University Libraries, stated that the special exhibit will be
offered in response to an unprecedented demand by the public to
view at close range details of the newly enhanced photographs of
the most famous and controversial UFO wreckage, which was
'captured' by Unites States military forces near Roswell, New
Mexico in 1947."

"Dr. Saxon stated that photographic exhibits at the library
usually are scheduled at least two years in advance, but that
this special photo exhibit has been arranged on very short
notice due to world wide attention once again being focused on
the UTA Library following a recent announcement that it has
finally been established that the photos are of portions of the
actual crash debris."

Of course, the "recent announcement" also emanated from the
smoking word processor of J. Bond Johnson, but the reader is
cleverly steered away from that fact.

A call to the UTA Library revealed that yes, they have received
many calls about the photos subsequent to J. Bond's "recent
announcement." Yes, they are making the photos available to
walk-through visitors. Contrary to J. Bond's breathless claims,
the UTA "special exhibit" consists only of the four Ramey office
photos in 16 by 20 inch format, the largest they make. These are
under plastic and laid out on a table. No special security
precautions are being taken, simply because none are required.

The Library hasn't a clue about what J. Bond means by
"super-enlargements." Nor do they know what he is talking about
when he claims the pictures show "portions of the actual crash
debris." They are concerned that their public service function
is being turned into a circus. It appears that the librarians
are just another group that has missed the point of J. Bond's

Elsewhere, J. Bond has claimed that when the Air Force studied
the Roswell issue in 1994, they engaged in a hot dispute with
the UTA Library over the photos, apparently demanding that the
originals be transferred to the U.S. government. I asked the
Library to comment on this claim, and received the following
reply from Dr. Saxon.

"Jane Klazura, a staff member in the Special Collections
Division of the UT- Arlington Libraries, forwarded me your
undated letter re the Roswell negatives/photos held by UTA. I
wanted to answer your questions so that there is no mistake as
to what we have done in the past with the negatives/photos.

"You mention in your letter that Mr. Johnson has said that an
agency of the U.S. government engaged in a "dispute" with UTA re
these photos. That simply is not true. There was no dispute. A
few years ago the Air Force wanted to analyze the Roswell
negatives, and we provided high quality copy negatives for them
to use. As a matter of policy and archival practice, we do not
send out original negatives to anyone or any institution. The
Air force was pleased with the quality of the copy negatives and
used them in their analysis and subsequent report.

"For your information I am speaking from firsthand knowledge of
this because I was in charge of Special Collections at the time.
Our staff member in charge of the Star- Telegram Photograph
Collection at the time, Betsey Hudon, has since retired. The
Roswell negatives/photos are a part of the Star-Telegram
Collection, which has close to one million images in it."

One would suppose that J. Bond would tell us just a bit more
about the means by which the photos have recently been magnified
or enhanced, revealing the "real" debris that all others have
failed to spot. Despite repeated requests for elucidation on
this vital point, his responses have been extremely obscure.
Michael Lindemann interviewed him, and wrote that the process
consisted of using a xerox machine to "blow up" the photos in
many steps!

Lindemann didn't catch on, and I suppose that out of desperation
to get a rise out of the ufologists, J. Bond came up with what
he thought would be the unmistakeable give-away. He started
saying that the "enhancement" work was done at Staples, an
office supply chain. According to this version, Staples provides
a service in which a photo or document is "digitized" and
transferred to a computer disc. The "digitized" image can then
be magnified almost infinitely. Professionals familiar with
image enhancement know how ridiculous all this is.

But once again, we failed to take the hint -- when J. Bond said
he did it at Staples, that should have been the occasion for a
big belly laugh, not the intense furrowing of brows that
afflicted the hopelessly literal ufologists.

I paid the U of T 24 dollars each for the seven photos they
offer, in the 16 by 20 inch format. Once again, the joke is on
me. A careful examination with a magnifying glass revealed none
of the exotic stuff J. Bond talks about.

Then a friend has used some sort of (real, not Staples) computer
enhancement to magnify the photos about sixty-fold. Still
nothing. My friend, who is in touch with J. Bond, has passed the
bad news on. J. Bond, ever the jokester, replied by angrily
claiming that my friend must be blind.

R. J. Durant
10 June 98

[ Next Message | Previous Message | This Day's Messages ]
This Month's Index |

UFO UpDates Main Index

UFO UpDates - Toronto - Operated by Errol Bruce-Knapp

Archive programming by Glenn Campbell at Glenn-Campbell.com