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Location: UFOUpDatesList.Com > 1999 > Jan > Jan 25

Re: Santilli's Film Scraps

From: Roger Evans <moviestuff@cyberjunkie.com>
Date: Mon, 25 Jan 1999 12:28:32 +0000
Fwd Date: Mon, 25 Jan 1999 12:53:50 -0500
Subject: Re: Santilli's Film Scraps


>From: Nick Balaskas <nikolaos@YorkU.CA>
>Date: Sun, 24 Jan 1999 19:19:05 -0500 (Eastern Standard Time)
>Fwd Date: Mon, 25 Jan 1999 11:33:10 -0500
>Subject: Santilli's Film Scraps

Previously, Nick offered:

>In 1997 Reg Presley arranged a meeting with Ray Santilli for
>Roger Leir and Derrel Sims.

>At this meeting a proposal was made to Ray to allow them to have
>the original Alien Autopsy film analyzed at a top research lab
>so that the age of film could be known.  Although Ray did not
>give an answer to their proposal at this meeting, Roger and
>Derrel did get film scraps which Reg obtained from Ray.

<snip>

>Once Ray knows that the film scraps can be dated conclusively,
>let us hope that permission will be given to also have the
>actual Alien Autopsy film analyzed by the same top research lab.

Hi Nick,

Actually, analyzing the scraps means nothing. We have only
Santilli's word that they come from the actual film. But the
notion that he seemed willing to deface his original artifact,
even if only from the film's end, is to me quite suspect.

Think about it: For years, scientists had wanted to test just a
snippet of the Shroud of Turin, but the church would not allow
it. (ultimately, they relented; it was found to be bogus)

Likewise, if you had possession of a valuable piece of film,
would you want to destroy even a frame of it? If one's concern
was to validate the film, would it not make more sense to
accompany the film to the lab in question where they could
quickly and effeciently determine its origin without the need to
"snip" anything? I'd think Santilli would be quite eager to have
such evidence on his side.

Everything that Santilli has done regarding verification of his
claims has been counter-intuitive. He simply does not want the
truth to be learned.

Later,

Roger Evans



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