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Location: UFOUpDatesList.Com > 1999 > Jan > Jan 27

Re: Santilli's Film Scraps

From: Bob Shell <bob@bobshell.com>
Date: Wed, 27 Jan 1999 07:45:49 +0000
Fwd Date: Wed, 27 Jan 1999 12:00:49 -0500
Subject: Re: Santilli's Film Scraps


>Date: Tue, 26 Jan 1999 09:49:30 -0500
>To: UFO UpDates - Toronto <updates@globalserve.net>
>From: Steven Kaeser <steve@konsulting.com>
>Subject: Re: UFO UpDate: Re: Santilli's Film Scraps

>>Date: Mon, 25 Jan 1999 13:09:43 +0000
>>Subject: Re: Santilli's Film Scraps
>>From: Bob Shell <bob@bobshell.com>
>>To: UFO UpDates - Toronto <updates@globalserve.net>

><snip>

>>Actually, those film scraps came from Philip Mantle, via Reg,
>>and are from the same strip as the samples I have. They are
>>copy film, not camera original, and therefore meaningless.

>>All they can tell is what we already know, the copy film is pre-
>>1955 in origin.

>Bob-

>As I recall, the producer of the Channel 4 production in Great
>Britain in 1995 was sent more "samples" of the alleged film than
>anyone else. I have written to him, but got no response, and
>have no idea what kind of testing (if any) that he might have
>pursued. Do you know how much film he had been sent, and
>whether or not he has pursued that angle at all.

Yes. I'm drawing a blank on his name at the moment. Anyway, he
has a large film can full of film scraps. He showed them to me
in Paris when we were both there to appear on the French TV
program about the film. I only had a brief look at it, but it
appeared to be more of the same. Just a guess, but I think if
all his scraps were spliced together he might have a couple of
feet of film. Ahh, yes, it comes to me --- John Purdy. He never
has returned my calls, so I have not been able to discuss
anything with him.

>You also commented in another post that Hesemman gave Ray the
>undeveloped film that he'd been given in Roswell, and that Ray
>allegedly had it developed. While it would be possible to run
>the film through the developing process, taking care to mix the
>chemicals properly for the type of film involved, what would
>have prevent cosmic radiation from fogging the film over the
>years. If that film was stored away in someone's home, it
>wouldn't have been protected from such radiation, and it would
>(according to some of your earlier statements) become so fogged
>that it would be useless.


Two differences primarily. This was not Super XX but a much
slower film and therefore would be less subject to fogging.
Also since it was in a metal cartridge I would assume that the
metal would block some background radiation. The film did show
significant fogging, but the edge markings were clear and images
would have shown if there were any. The portion of the film Ray
returned to Mike was completely blank.

Bob

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