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From: Bob Shell <bob@bobshell.com> Date: Fri, 29 Jan 1999 09:53:20 +0000 Fwd Date: Fri, 29 Jan 1999 10:51:22 -0500 Subject: Re: Santilli Knew 'Tent Footage' Was a Fraud? >From: Roger Evans <moviestuff@cyberjunkie.com> >Date: Thu, 28 Jan 1999 15:14:17 +0000 >To: UFO UpDates - Toronto <updates@globalserve.net> >Subject: Re: Santilli Knew 'Tent Footage' Was a Fraud? >Just for the record, has it been determined that the film >Santilli bought is a dupe because the film stock is recognized >as such? Or was this determined by the "wind" of the film; i.e. >which side the emmulsion is on? Did you check the pieces you >have to see if it's an "A-wind" or a "B-wind"? It has been determined because all of it has the distinctive signature of the Bell & Howell printer used to make the copy prints. It also has a soundtrack (blank). >If the cameraman did quickly make a secret copy for himself, it >probably was a contact print and not an optical print. >Therefore, the emmulsion on the print that Santilli bought (and >gave you pieces of) would be on the opposite side than if it >were original film from either a field camera or optical >printer. This is assuming, of course, that Santilli is truthful >that what he gave you is directly from what the cameraman sold >him. No, the cameraman claims he made the copies himself on a copying machine in the base lab. >Likewise, if Santilli then had an optical made of this dupe >film, then the resulting dupe original would the same wind as >camera original (assuming they did not shoot through the base), >but not subsequent contact prints, of course. If Santilli's >final prints from his "new dupe original" have the emmulsion on >the same side as camera original, then either a generation is >missing or Santilli started from camera original. >I know this sounds confusing. But give it some consideration. Do >you follow what I'm getting at? Yes, I follow you, but it doesn't matter in this case. Bob
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